TV Drama - Formats
There are for main categories of TV drama:
- Single Drama
- Series
- Serials
- Soaps
There are considerable varieties within each category and each offers different forms of enjoyment for the viewer
- Single Drama - The single drama used to be the main attraction on TV but now is slightly rare. It is designed as a 'one off' story for television. They are usually based on true stories, topical and world issues - subject matter that producers think are more appropriate to television than cinema, e.g. 'The Missing'.
- Series - A programme broadcasted once to twice a week where the same characters and basic situation will be used to tell a different story in each episode. Examples of this are CSI, Hawaii 5'0, etc.
- Serial - This uses the same characters and locations regularly, but each episode in not complete in itself and story-lines will continue through to the next episode encouraging us to carry on watching. Often serial narratives carry more than one storyline - E.g. 'Game Of Thrones, Power, ER'
- Soaps - Soaps have multiple characters who carry on many different story-lines at once. Usually no dominant storyline, however story-lines can carry on for weeks, months even years before coming to a conclusion - par example 'Eastenders, Home and Away, etc'
Boy A
The film is based on James Bulger case of 1993, which was when two ten year old boys kidnapped and killed a two year old boy
- The film had flashbacks involved
- In the film the murders names are 'Eric Wilson' 'Phillip Craig'
- In reality the convicts names were 'Robert Thompson' and 'Joe Venables'
Lesson 2 - Narrative Structure Form
- Linear - Follows a general order
- Non Linear - Everything's all over the place
- Flashback - Reminiscing on the past
- Realist - Real Life
- Anti-realist - Out of the ordinary
- Endings: Open or Closed - Open means a cliffhanger and closed means that the whole story was explained
Narrative
- Narrative is when the film tells you a story, whether in order or not
- Narratives appear throughout other forms of media such as: Novels, Plays, Music Videos, Comic Books, TV Shows and Commercials
- They are most common in fiction film but appear in all basic types of films
- A narrative is an account of a spring of events occurring in space and time
- They do nit unfold randomly but as an ordered series of events connected by the logic of cause and effect
- This logic can tie together character traits, goals, obstacles and actions
Film - Key events
Boyz n The Hood
- Ricky gets shot
- Doughboy gets killed
- They kill the people who killed Ricky
Menace II Society
- KayDee and Sharif get killed in the final shootout
- His grandparents kick him out of their house
- KayDee cousin "Harold" gets shot and killed in a car jacking
- Toward the end 'Ronnie's' son walks out to sit with the "grown-ups" as they are drinking and smoking, and he asks for some beer; O'Dog decides to try give him some but Caine (KayDee) refuses and tells him not to. This is because when KayDee was a kid the same situation went down and Caine realises that this was all one massive cycle
- The conversation that occurs between Sharif's Dad and KayDee
Three-Act Structure
- Act I - Introduction / setup
- Act II - Confrontation / rising action
- Act III - Resolution - Crisis/ falling point
Set up / Exposition -
- Meeting characters
- Establishing setting
- Setting the tone
- Central conflict is introduced
- Tension between protagonist and antagonist build up
- Many events will happen and stakes get higher
Climax -
- Climax is a turning point, which marks a change
Falling Action
- The major action has happened, this is the aftermath.
- Sorting out of the major conflicts resolution
Denouement / Resolution -
- The creation of the new normal
- Conflict is resolved
How Narrativer Unfolds
- Typically it begins with one situation
- A series of changes occur according to a pattern of cause and effect
- Finally a new situation arises through character choice and conflict - this usually will lead to a happy end or a conclusion
- The new story equilibrium almost always results in character change
Character
- Narrative films usually focus on human characters
- Characters are responsible for cause and effect
Flat Characters - Minor characters who don't go through major changes throughout the story
Round Characters - More fully developed characters who may experience a change during the story
Developing Characters
Round
Through conversations with other characters
Through group associations
Through direct description of that character
Through reactions to conflict
Character Traits
- Traits are attitudes, skills, habits, tastes, psychological drives and any other qualities that distinguish a character
- Traits in opening scenes are relevant to later scenes, this is related to cause and effect
- Goals might include locating treasure, choosing a foster parent or looking for love
- Characters encounter obstacles in pursuing these goals - the collision of goals and obstacles create conflict and thus drama
Character Choices
- Characters create cause and effect through choices that lead to conflict and consequences
- These patterns are designed so that the viewer clearly see' and understands the,
- Character posses traits, face conflicts, make choices and undergo changes that enable or hinder pursuit of a specific goal
Character Profile
Name: Kaine
Age: 16
Gender: Male
Gender: Male
Nationality: Caribbean-American
From: Watts, Los angeles
Height: 5"11
D.O.B: 15/09/1977
Hair Colour: Black / Very Dark Brown
Hair Style: Singles Plaits
Eye Colour: Dark Brown
Skin Colour: Light Brown (lightskin)
Traits: Young, black and dangerous
Goal: To reach 18 living in the hood
Conflict - central to any narrative
- Relational conflict - This is conflict between characters over goals and how to achieve goals
- Inner conflict - This is conflict within a charcter. It could be concerned with their self-esteem, insecurities or uncertainties
- Societal - Conflict between a group or a person. Group could be government, gang, law, family, etc
- Situational - Develops as a result of a situation
- Cosmic - This is conflict between the main character and a supernatural force: Good vs Evil
Lesson 4
Unit 5: Working to a brief in creative media industries
Briefs
Contractual
- An example is depicted right -
- You have to sign it
- Very descriptive
- Like a contract
- Mention things like time frame, pay, deadlines, job requirements
- Usually used in situations where a large sum of money is involved
- Once signed you must agree to all terms
- Brief is laid out very clearly
Negotiated
- This brief is entirely up to the employee as the client is open to ideas
- This can give more leeway as you can alter almost all of the brief aspects
- You get to use your creative vision
- This maybe used if the client doesn't know what he/she wants
- They leave it up to the employee to make finer details
- An example is depicted right -
- Document that outlines the specifications of a product or service
- Well set out and structured
- Uses formal language - no slang or abbreviations
- This should be thoroughly explained so the employee knows exactly what they are doing
- To make it look professional it may have the companies logo on it
Informal
- This is a short piece, possibly a text or email that requests someone to do some work for them
- Doesn't have to be written, can be a spoken verbal agreement
- This could be between friends or colleagues when very little money is involved
- It is also known for having grammatical errors
Commission
- Client commissions a company to fulfil a brief
- A company only offers commissions when the client has relations with
- This is done because you already know who you would like to do the work for you
- This means you can save time on looking for potential employees and go straight away to your company of choice
Competition
- An example is depicted right -
- Brief that is open to the public
- For a wide range of people with a spectrum of talents to create a product which is based on the brief for free
- Only the winners will get the prize or monetary reward, this means that less money is spent on the product
- An example of this would be - 'Sundance London Short Film Brief'
Tender
- Similar to competition as it requires a client to post a brief that is open to outside companies
- After receiving the brief the companies come to pitch to the clients
- The best will then be selected and they will be given the chance to work for the client; developing their ideas and creating their product
- A place that is good for tender brief is - 'http://www.tendersdirect.co.uk/
Co-operative
- Two or more companies are contracted to work on the same assignment
- This maybe done for a number of reasons - multi-skilling, not enough expertise to complete all the assignments by themselves, tight deadlines
- If the deadlines are too short then two companies will be able to finish the work faster than one
Reading a brief
- Pay attention to what kind of brief it is
- Final dates - When are the deadlines? How can you meet them?
- Timescale - How long do you have? Is it plausible?
- What is required? - What are you being asked to do? Is there any special requirements?
Negotiating a brief
- Carefully read through and check if there is anything that wouldn't be possible
- All briefs are negotiable to an extent
- If you are asked to do a snow scene in the middle of summer, you maybe asked to change locations or get rid of the snow
- Negotiation can also be used with tight deadlines or small budgets
- If you think the constraints are too much, then negotiate and ask for an extension or more funding
Tips
- Give yourself and the client time - read through the brief thoroughly! Make sure you understand every aspect before you agree to any terms
- If you don't understand something - ASK!
- Make sure both you and the client understand and agree what your expectations, goals and objectives are for the negotiation
Opportunities
- New skills
- Self development
- Multi-Skilling
- Gain contracts
- Experience
- Travel
- Communication skills
- Portfolio/CV
- Meet clients or important people in the industry
Lesson 5 - Creating a Character
- Reveal a character through actions - Any character you wish to explore is revealed due to things in the story you decide - A heroic character will do heroic things, a villain will do evil things, so on and so forth
- Reveal a character through dialogue - Take time to get a sense of your character - Whatever genre your character is then the dialogue needs to represent them - don't waste a line!
- Reveal character through story arc - Specific moments, actions and lines of dialogue tell us a lot - Think of how the character will change throughout the entirety of the story, think about a 'character growth'
- AVOID CLICHE'S - Stay true to your idea - think about all elements involved, add a spark of life to your character
- Think like an actor and give your character a P.O.V - They need motivation for the scene - They need to know where the character was the moment before they stepped into the room - think about the character's past, i.e 'where did they grow up, how have they been living, etc'
https://thescriptlab.com/category/screenwriting/character/]
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